The importance of woodland in a worrying world…

They said there’ll be snow at Christmas
They said there’ll be peace on Earth
But instead it just kept on raining
A veil of tears for the Virgin Birth
(Greg Lake ‘I believe in Father Christmas’)

unnamedIt is raining again, a fine misty rain that curls my hair and dampens everything, including my mood. I started this blog post before the additional chaos of a leadership challenge and more Brexit shenanigans, but also before the shooting in Strasbourg, a beautiful city in France, where we have recently settled. I realised this morning, as I sat gazing out into the forest, watching the slow tears of a wet Wednesday that it is harder than ever to see a real meaning in the Christmas holidays this year. In the UK, and in France, extremists on all sides are using politics as a vehicle to undermine fellow feeling, kindness and recognition that we are all inhabitants of one, enormous and very fragile planet. Nationalism rears up, obviously in riots and insidiously in parliament. We must take care of ourselves, and hold on to our values. Unless it seems, you are a Tory politician or a leading Labour member where the lines are blurred and everything is up for grabs. And as for Greg lake, well it was always an anti-Christmas song, and this year it seems we are definitely getting the Christmas we deserve.

So, back to the wonderful woods…

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The Ladybird Book of Trees

We have had two weeks of wet and windy weather here in Brittany and it has turned our wonderful forest into something of an obstacle course. Paths I walked in early summer are now lost under a thick carpet of leaves, once burnished bronze and gold but now slimy and brown, and I turn disorientated along a track leading me into clearings I don’t recognise and trees that, until spring clothes them in green again, all look quite similar. I know my ash from my oak and my beech from my horse chestnut, but that is about the extent of my memory, An endless reference to the Ladybird Book of Trees in my youth has taken me little further than a love of the artist who illustrated it, S.R. Badmin.

Yesterday it was dry, so I ventured out to enjoy the breeze in my hair and the fresh air in my lungs. I found, however, branches strewn across the path and the leaves hiding a multitude of trip hazards. Within metres, I went up to my poor sore ankle in a puddle of water after treading, as I thought, on firm ground. Sadly a thick layer of leaves was disguising said puddle and my mistrust of the carpeted forest floor was deepened ten minutes later, as I skidded on a hidden, huge pile of dog poo. I have become closer to the natural world here than ever before, but no longer am I gazing romantically at the treetops, listening and looking out for wildlife (we still haven’t seen a squirrel…) and instead am looking only downwards at my boring, brown walking boots, fearful of going base over apex, cracking ankle or skull.

I rarely venture off the beaten track on my own now, even with my trusty hound Teddy to keep me company. The shallow streams of summer are gushing torrents marking ridges in the paths as they overflow and take all before them. What passed for bridges just weeks ago are now slippery exercises in tightrope walking and the grasping fingers of fine branches whip across my face and the knobbly toes of the tree roots are eager to snare the unwary and unwatching.

korrigan
A korrigan

In the summer, when I wandered into darker places, the primaeval nature of the dense mixed woodland sent a shiver down my spine – it became quieter, less understood and full of the magical folk Breton culture has populated this area with. A rustle, a creak, a flash of colour – nuthatch or a korrigan (a Breton goblin)? That whispering around the stream and the pool amongst the rocks? Was it the wind or a water sprite?

Now the rustle of the leaves has diminished to the soft swish of the firs, and light has poured in, illuminating some of the dark corners and opening up views across the hills. It struck me today that we talk of trees being ‘bare’ and of their ‘naked’ branches’, like arms desperately reaching out to capture those weak rays of sunlight. It is as if by anthropomorphising them, we express our own fear of being abandoned there.

Commonly, a wood in winter is perceived as a cold, hypothermic environment, as wildlife hunkers down to hibernate, or to scrabble for the last energy-filled foods on the forest floor. We ‘trample’ and scrabble over the dying remnants of summer and autumn, and life feels suspended.

It can feel a little random, but I do like to pop a poem into my posts, just to catch you unawares, and perhaps introduce you to work you mightn’t otherwise see. This is a famous one but I always like to re-read it, less for the snowy scene it sets and more for the warmth it exudes. It is by Robert Frost, and I can now, even though we have no snow, appreciate the line ‘The woods are lovely, dark and deep’ and a sense of the benign nature of the woods and weather the poet is observing – ‘easy wind and downy flake’. The woods, even on these dark evenings,   are rather more lovely than the world outside them at the moment.

Stopping by Woods on a Snowy Evening

BY ROBERT FROST

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

fungiIn the older and less frequented parts of the forest here in Huelgoat the seasonal hover between life and death seems less evident. Despite the loss of leaves, there is an unexpected depth of green and a darkness that can still envelop the late walker (after 3 O’Clock in the afternoon). The tree trunks are covered to their tops with lichen, a mossy coat that gives them a warm-blooded appearance, at odds with the decay going on around them as winter progresses. Pressing a hand on the trunk fills one with a sense of the animal vitality of trees – borne out by their ability to communicate and their ceaseless chatter amongst themselves. Fir trees swell the ranks of the ancient deciduous woodland, clamouring together, often planted as quick growing timber, shutting light from the forest floor and knitting their branches into dark passages. There is still so much to see, hear and to smell, that rich scent of leaf mould, of decaying bracken and wet moss. Later varieties of fungi are still poking their caps out above the top layer of leaves, to enjoy their brief moment of youth before a rapid evolution and reproductive cycle turns them into shrivelled and warty masses.

We are approaching Christmas which is, to my romantic mind, always an imagined scene of frost and mittens, mulled wine and a low sun casting long shadows across a winter walk. Sadly, long-term weather forecasts are ever more accurate and I am not sure when we last enjoyed a crisp Christmas. Living in the South West of England and now Brittany, it is always far more likely to be mild and damp.

The forest here thrives in the damp, warm climate though and I am learning to love it, death-traps and all.

Gratitude or hope? A poem for #Christmas 2017 – ‘Ring out wild bells’ In memorium 106 by Tennyson

3bellsI have been going over my old Christmas posts on my blog. It seems the right time of year to begin a review of the things I have written this year and the issues that have mattered to me. In fact, this has been a very quiet year on my blog – endless excuses for not having written anything or vows to start anew, apologies for neglect etc.

The overall sense is one of melancholy, and so, when we reach a point in the year when melancholy affects millions and overwhelms many, I think I have to end with a plea for change. Can we really cope with another year like 2017? Full of hostility and strife?

There have been both for me this year – personally and as part of that thing we call humanity. I lost my lovely mum, and have been deeply affected by the strains it brought to the surface. We lost our wonderful old dog under traumatic circumstances, and then felt pulled by the stress surrounding the death of my father-in-law and the pain it brought to the surface for my husband, and for his siblings. Loss has been the word I will most associate with 2017.

All this compounded by a sense that what ‘being human’ means to me is not the same as the meaning attached to it by millions of others around the world, who pursue a way forward seemingly learning nothing from (or, more horrible, by embracing) the mistakes and terrors of the past.

I was reminded by my wonderful friend  – poet and author Vivienne Tuffnell – about the current fondness for pursuing gratitude as a way to dispel depression, anxiety and the trauma of the past. It is an age-old concept and undeniably a good thing. I am deeply grateful for all I have – my beautiful children, my lovely husband and family that supports me in what I do. But as Viv points out,  expressing gratitude can’t, of itself,  make a bad year good. Someone in a clinical depression cannot heal themselves merely by recalling a few good things. And to express gratitude has to be to genuinely mean it, or like all the other recent suggestions for self-care in mental health, it simply becomes another annexation of a peaceful principle by the powers that be. Our governments want to sedate us and prevent us being angry at injustice and aggression and all the horrors of right-wing hate-mongering that has become part of our daily global conversation.

I don’t know what to say to wish you all a happy Christmas and a joyful festive season. Like gratitude, a couple of days of eating, drinking and making merry a do not make a ‘good year’. My little pleas for kindness and peace sounds like so much pissing in the wind to be brutally honest.

Alfred-Lord-Tennyson-1809-010So as always I head for poetry. This year I can’t find a better expression of a manifesto for truth and light that that offered by Alfred, Lord Tennyson. He is a poet I have read, but not studied, other than to know the basics, and to understand that In memoriam is a requiem to lost friendship and love and a way of working through Tennyson’s anger and pain following the loss of someone dear to him.

As an eminent Victorian, adjusting to the inexorable march of industrialisation at the cost of all that he thought beautiful, his concerns are at once different and the same as ours. His love of an idyllic rural England will chime with anyone who watched the recent BBC 1 series Blue Planet II and was horrified by the amount of damage we are doing to our planet. Climate change deniers beware – you can’t claim the disgusting amount of plastic in our oceans is anything other than man-made.

On a personal level, the lines Ring out, ring out my mournful rhymes/ But ring the fuller minstrel in even offers my plea for a fruitful year of writing, as I get to fulfil my dream and am paid to write a book about John Keats.

This is a poem that asks us to set aside nationalism, hate and war, and embrace a world not driven by money and power. Let us hope 2018 is a year when, instead of feeling loss, we regain some things – hope at least being something we all need, whatever our faith, or belief system.

In Memoriam  106 -Ring out, wild bells
by Alfred, Lord Tennyson

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

A very happy Christmas to you all. Thanks for reading.

In trying times: Heberto Padilla on continuing to speak out…

Heberto Padilla
Heberto Padilla

I read this poem today, for the first time. As you may guess from the title, I was looking for poetry to support me through a period when world events seem to be spiralling out of control, when real news is more shocking than any ‘fake news’ the government is trying to counter.

It is a poem about revolution, specifically the revolution in Cuba. I think it is about the suppression of poetry, literature and the curtailment of freedoms. It resonated with me today when a terribly dangerous, but apparently charismatic world leader is ‘revolutionising’ US politics, when our own government are once again appeasing a fascist, even at a time when we commemorate the Holocaust, and when those that would challenge or speak out against the President are derided and persecuted, silenced and expelled. They are called liars – and eventually who will be left knowing the truth?

Sign petitions, march in protest, write and read poetry, show random acts of kindness in a world that has, hopefully temporarily, become much less kind.

In Trying Times

by Heberto Padilla

They asked that man for his time
so that he could link it to History.
They asked him for his hands,
because for trying times
nothing is better than a good pair of hands.
They asked him for his eyes
that once had tears
so that he should see the bright side
(the bright side of life, especially)
because to see horror one startled eye is enough.
They asked him for his lips,
parched and split, to affirm,
to belch up, with each affirmation, a dream
(the great dream)
they asked him for his legs
hard and knotted
(his wandering legs)
because in trying times
is there anything better than a pair of legs
for building or digging ditches?
They asked him for the grove that fed him as a child,
with it’s obedient tree.
They asked him for his breast, heart, his shoulders.
They told him
that that was absolutely necessary.
they explained to him later
that all this gift would be useless
unless he turned his tongue over to them,
because in trying times
nothing is so useful in checking hatred or lies.
and finally they begged him,
please, to go take a walk.
Because in trying times
that is, without a doubt, the decisive test.

What do you think? Does it feel relevant to you too? I would love to know what you think, and in the meantime I am going to read this a few more times and explore the world of Heberto Padillo in more detail.